Please note: I am NOT dead.

Digital S&T ToC #133

I may have vanished from the face of the planet this week, but please be assured I am not dead. I have been busy behind the scenes playing the editorial equivalent of whack-a-mole with Space and Time.

As soon as we smack one typo down, three more pop up. It’s been a whirlwind of activity over here—but in the end we have a finished copy of issue #133 ready to go out to subscribers. It’s beautiful.

The three most important things we have learned:

  1. 4 color black is the scourge of the earth.
  2. A fat PDF makes unhappy uploads.
  3. Bleed! There needs to be more bleed!
  4. Terrible Tim has a titillating tush.

Tomorrow, this collaborative effort of seven authors, seven illustrators, fifteen poets, two columnists, one Terrible Tim… and an army of associate editors, editors, proofreaders, graphic artists & more will be available to take home. The print version will be mailed. The digital edition includes two extra stories and is available in mobi, PDF and epub. (Pssst… it’s also cheaper, faster and saves trees!)

Visit for more info on all that.

Most important, this issue was made possible by the following people, and readers like you*:

PUBLISHER & NARRATOR R.A. Smith ♥ FICTION EDITOR Gerard Houarner ♥ POETRY EDITOR Linda D. Addison ♥ ART EDITOR Diane Weinstein ♥ EDITORS EMERITUS Gordon Linzner & Hildy Silverman ♥ CONTRIBUTING EDITORS Daniel Kimmel Samuel Tomaino ♥ EDITORIAL ASSISTANT Kyra Starr ♥ ASSOCIATE EDITORS Gary Frank ♥ Kathleen David ♥ Susan Hanniford Crowley ♥ Faith Justice ♥ Jennifer M. Perrson ♥ Edward Greaves ♥ Mellissa French ♥ Lee Wienstein ♥ ARTWORK Tom Nackid ♥ Simon Walpole ♥ Alan Beck ♥ Martin Hanford ♥ Anthony R. Rhodes ♥ Brad W. Foster ♥  COVER/POSTER ART K.B. Kofoed ♥ COVER LAYOUT Kyra Starr ♥ SOCIAL MEDIA STREET TEAM ♥ Chelsea Hunter et al

*Yes, I borrowed this from PBS. Too much editorial whack-a-mole for anything more clever.
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Beyond Space and Time…

Space and Time magazine has left the building!

It’s been a long week of layout and proofreading for the magazine, but yesterday it passed the preflight gauntlet and went to the printer. I can’t wait to go pick it up.

At the moment, I’m so tired I can barely keep my eyes open. Mr. Smith and I went out for a St. Patty’s Day beer and one stout just about knocked me out. Since my words have become gelatinous goo in my brain… or my brain has become gelatinous goo with no words… I’ll just leave you with some interesting links that popped up this past week.

First off, DreamForge magazine posted an interview on me right in the middle of the magazine mayhem, so I’ve barely had a chance to share. Thank you DF for the great interview!

The headline was the best I’ve seen. “Angela Yuriko Smith Takes on All of Space and Time...” My inner dictator says “Muhahahahaha!” Go read the interview here.

As if that weren’t enough to make my head swell, I have a fancy page up on the Horror Writers Association site for being a 2018 Bram Stoker Awards® Finalist. It’s my first nomination as you can tell from all the white space. You can find that here.

I can’t think of anything else that’s exciting except that the magazine has gone to print. That’s all I can think of—besides sleep.

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Why publish? Why not?

Image by Free-Photos on Pixabay

I was recently asked in an interview why I publish. I was thrown. It seemed like too big a question for a simple answer. What is joy? Why do we live? Is there a God? Why publish?

I answered a partial truth. Short answer: I fell in love with the idea of publishing back in my one month of high school when I first held an “underground zine” in my hands.

Titled A Wrench in the Monkeyworks, it was rude and revolutionary. It broke rules. It was crowded and chaotic. I loved it and realized then all I needed was a few dimes for the copier and I could do this. The seed lodged deep in my mind where it took root.

That’s the short answer. Years later I worked for a challenging weekly newspaper and I was quizzing the publisher’s wife on how they started their paper. It was a Christmas party and I was warm with wine and fan-girl enthusiasm.

“Right,” I commented when she paused. “Because who wouldn’t want to publish a newspaper?” She raised her eyebrows and looked at me with genuine surprise. “Not many… not many people would.” Since I was asked why do I want to publish, I’ve thought about my real answer. It’s this:

Publishing is the difference between playing a violin or being in an orchestra. One instrument—one writer alone—is beautiful and can accomplish great things. But in an ensemble their voices combine. Ego, differences, personal belief… all of it merges to become one, grand instrument that can change a world.

Publishing a magazine is like conducting a band. Balancing font (serif or non-serif!), style, image and text with white space and color create a unified voice from many. The publisher sets the direction, but it’s the army of graphic artists, layout, advertisers, editors, editors, editors, artists, office managers, writers, photographers, marketers and distribution teams that makes the behemoth move.

Yes, I know that magazines are not known for generating riches (but you can help with that by subscribing!). Publishing is about opening a forum to allow many voices to find air, and then immortality, in ink. The expanse of blank paper is center stage for a production that can be carried in a pocket and shared with a neighbor.

With a little paper, a little print and a dedicated team a mountain can rise from the shadows with a new world view. Why publish?

Why not?

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Space and Time #133 Cover Reveal

Busy, busy finishing up the next issue of Space and Time for proofreading. This will be a special issue to celebrate National Poetry Month in April. This issue is stuffed full of fiction as well—I am so happy with the stories that were submitted. We have surprises ahead… to be revealed soon.

For now, enjoy the magnificent cover art by Karl Kofoed—a colossal being rests in the warmth of a dying sun, contemplating infinity. At least that’s the story I see. How about you? What story does this inspire in you?

This issue will be available March 20. You can subscribe for a print or digital subscription at The digital subscription includes four issues a year on any device with bonus content from $2.50 an issue, or $9.99 a year. The print subscription arrives in your mailbox from $4.75 an issue, or $19.99 a year.

And now… *drumroll* the cover…

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Jamal J. Hodge on Mourning Meal

Jamal J. Hodge

I’m privileged to have an interview with director and producer Jamal J. Hodge, known for Mourning Meal (2019), A Happy Divorce (2018) and Primal Instinct (2018).

His most recent project, Mourning Meal, is inspired by a poem from Linda D. Addison, a four-time recipient of the HWA Bram Stoker Award® and the 2018 HWA Lifetime Achievement Award.

Together they make a formidable team, weaving powerful words with keen visuals to create something lovely, dark and true.

AYS—Can you tell me a little about yourself as a film maker?

Jamal J. Hodge—I’m a multi-award winning filmmaker and writer. “Since May of 2016 Jamal Hodge’s films have been an official selection in over 65 Film Festivals, and have won 19 awards. In 2018 he also directed the first season of Investigation Discovery Channel’s ‘Primal instinct’.

Also, in 2018 his short screenplay ‘Mourning Meal’ won 5 awards (including best short screenplay at NYC Horror Film Festival) and was featured as a finalist in 7 writing competitions including (Shriekfest, Nightmares Film Festival). Jamal’s horror poetry has been featured in SPACE AND TIME MAGAZINE.”

AYS—What I have seen of Mourning Meal so far is chilling and yet beautiful. Can you tell us about this original horror film without giving away any spoilers?

Jamal J. Hodge—I’m so happy you said that, chilling but beautiful was the goal! We set out to create something frightening but beautiful, kinda like the aesthetic you’d find in ‘The Handmaid’s Tale’ with the classic feel of  ‘Seven’ or ‘The Silence of the Lambs’! Without spoiling anything I’ll just say the movie explores one woman’s relationship with pain, and what can happen if you let pain and loss dominate your mind and emotions. The transformation that can occur…

So much of our identity is based around what hurt us in the past or what might hurt us in the future, that fear of pain and our retreat into comfort and pleasures has its own risk, but the risk of embracing the pain too much, or rather, becoming the pain itself… can be far worse.

Mourning Meal is a psychological exploration of a deteriorating mind.

Linda D. Addison

AYS—How did you meet Linda Addison and decide to make a film based on her poem?

Jamal J. Hodge—Normally I don’t remember first meetings. I know its weird but if I met you and I like you, then the beginning doesn’t matter to me, just the present and what we make together—and what we’ve been making together has been very good! That being said, I believe I met Linda at a black writer’s get together and then I harassed her beyond all endurance until she agreed to being my writing mentor :)

Linda’s genius is her ability to conjure a full human experience in a verse, or weave a new illuminating perspective into a situation where there normally would only be revulsion or terror.

I strive to do the same in my own art, to use darkness to show light. So to me it just made sense to align with someone so robustly human, with a heart in the light and a mind in the darkness!

I’ve been telling her for years I was going to write something based off one of her poems, since reading her work inspires my own dark imaginings. It was a no-brainer turning Mourning Meal into a film. It was a must.

AYS—The Mourning Meal screenplay has already received awards and accolades. Can you tell me about some of the recognition this film has received?

Jamal J. Hodge—In 2018 the short screenplay of ‘Mourning Meal’ has won 5 awards, including best short screenplay at the prestigious NYC Horror Film Festival, and was featured as a finalist in 7 writing competitions including Shriekfest and Nightmares Film Festival. It has a crazy 75 percent selection rate!

I’m so excited that we have such good material to weave from.

AYS—What was the biggest challenge with this production?

Jamal J. Hodge—So, as you know, we’ve started shooting and have completed 70 percent of the film. Right now the biggest challenge is shooting the rest of it in April, mainly for financial reasons.

Making films independently is SO EXPENSIVE. We’re doing this with our blood sweat and tears and the help of supporters that want to see us win and put something different into the genre, a film that entertains, teaches, and gets us to explore our own relationship with pain and how much were letting that shape us.  So far we’ve spent 12K on the film and we need about another 8K to see it through and sent to festivals around the world.

Our cast is great led by Ruya Koman, our crew led by DOP Koshi Kiyokawa is a genius and we’ve joined forces with super producer Lamar Mackson and The Nonstop Show Group. So were in good shape with the talent and getting it done.

Our only difficulty now is the money, unfortunately.

AYS—What are your plans for Mourning Meal? What do you see for this film’s future?

Jamal J. Hodge—The intention is two-fold. With the short we want to make an epic product and then send it to all the major horror, thriller, and even drama festivals around the world from NYC Horror Film Festival to Cannes Film Festival. Everywhere. God willing.

The second part is that the Short is actually the first act in a feature film, so when its all done we want to take it to Universal and Blumhouse!

Mourning Meal is a story I really believe in and I feel it will help people come to a revelation about the pain in their life. Hopefully start them on the path to healing.

AYS—How can we help you get Mourning Meal out to everyone?

Jamal J. Hodge—Financial support would go a long way for sure! I’d be extremely grateful! You can see a sample of the film and our fundraising video here. Click here to support Mourning Meal from Poem to Film! organized by For Linda Addison

Or help us get the word out if you know people that would support diverse filmmakers and crews. Lastly you can come support the film when it screens this fall! We’ll be posting the upcoming dates on social media. My Instagram is @directorh

Our film’s website is Mourning Meal Movie.

Mourning Meal Fundraising short video from Jamal Hodge on Vimeo.

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From Space and Time #132: “Stinky, Stinky Little Pig”

I just finished reading “Stinky, Stinky Little Pig” by David Sandner in issue # 132 of Space and Time magazine. What a great story! I don’t want to give away any spoilers, but this richly written little tale presents an author we all know and love in a different light… and life.

Sandner captures the mannerisms of a grumpy old writer at the end of his own story well, and the characters of the mother and her “stinky little pig” are believable. The story is well developed and the environment made real with all the detail Sandner blends in.

Thank you to David Sandner for an interesting read that made me think. I love what Anthony R. Rhodes did with the illustrations—he really nailed the facial expressions and body language of a bitter old man and an ornery boy. You can read “Stinky, Stinky Little Pig” by David Sandner in issue #132 of Space and Time, available here.

The next issue is due out on March 20.

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Suite & Sour Begins at Curious Fictions

Suite & Sour has begun on Curious Fictions with the first chapter—”Pop Rocks.” S&S is the sequel to Bitter Suites, recently selected as a 2018 Bram Stoker Awards® Finalist.

Anyone who’s been visiting this blog for awhile probably remembers that I wrote Bitter Suites on a mobile publishing platform that specializes in serial fiction. Fans of a work can subscribe and get new chapters, or episodes, as soon as they are available.

I love working like this. Knowing that people are waiting on me keeps the pressure on to create high quality content on a schedule.

I’ve decided to write Suite & Sour the same way, posting chapters weekly as I finish them …and now that the pressure’s on, I’m off to grab another coffee and get back to work!

You can find the first chapter of Suite & Sour on Curious Fictions,
with more to follow each week, here.

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Ladies of Horror Prompts Continue #WiHMx

There’s another week of flash fiction from the Ladies of Horror on Nina D’Arcangela’s Spreading the Writer’s Word blog. As February—and Women in Horror Month 10—come to a close, this is fine reading for a fitting end. Click here to find out more about WiHM X.

The Ladies of Horror are a diverse group of women dedicated to writing darker things. Each month we write a story or poem based on a photo Nina sends us. We do it for practice, to share ideas… and because this is how we play.

Lost and Found
by Tiffany Michelle Brown

The Longing of the Crow
by Erin Sweet Al-Mehairi

Ward 4
by E.A. Black

My Exquisite Eyes
by Marge Simon

Sweet Tooth
by Sarah Read

Lady of Midnight
by Melissa R. Mendelson

by Selah Janel

What Lingers
by A.F. Stewart

by Lydia Prime

2 for 1 mother/daughter duo!
13th Hour & Death Birds                                                                                    

by Ela Lourenco & Asena Lourenco

The Last Child
by Angela Yuriko Smith

Murder in Her Eyes
by Terrie Leigh Relf

by Ela Lourenco

Nothing to Give
by Angela Yuriko Smith

The Room at the End of the Hall
by Rie Sheridan Rose

Day Dreaming
by Nina D’Arcangela

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Interview with Gordon Linzner

Gordon Linzner

Gordon Linzner is well known in literary circles as a champion of edgy speculative fiction and as the publisher of Space and Time magazine. He has written novels of his own—The Troupe, The Oni and The Spy Who Drank Blood are a few available in print today—but he is perhaps best known for his decades long work as the founder, publisher and editor-in-chief of Space and Time.

He began the magazine in 1966. The magazine was copyrighted on June 3, and is the day we can celebrate S&T’s anniversary. He was a high school student. With a few friends and a mimeograph machine, he began the legacy that today is known as the longest continually published semi-pro magazine today. You can find out more about Space and Time magazine here.

He still serves on the S&T staff in the distinguished role of editor emeritus along with former publisher Hildy Silverman. Their continued guidance, wisdom and editorial skills are appreciated.

Today I am happy to have an interview with Gordon about the history of the magazine, as well as the stories behind it.

AYS—Many know you as the founder of Space and Time magazine, but you are also a respected author. Can you tell me what drew you to pursue writing as a profession?

Gordon Linzner—I began writing in grade school; fortunately for the world none of those stories seem to have survived (I remember one was actually published in an annual school publication, so I became jaded early on). It helped that I was the only kid in my kindergarten class who could read. It was just something that felt right. I wouldn’t say I actually pursued it as a profession, since I never made a living at it, though of course I certainly do my best to be professional.

AYS—I just ordered a copy of one of your novels, The Spy Who Drank Blood. While I wait for it to arrive, can you tell me what inspired that story? A vampire would have a lot of advantages as a secret agent…

Gordon Linzner—I wrote my first Blood story for S&T #2, back in 1967, under the name Irene Anfleming (didn’t fool anyone!). Mostly because it was just a few of us involved in the magazine and I needed more material. Obvious inspirations of course were the James Bond movies and a love of genre mash-ups.

I recently copied all the Blood stories (which only appeared in S&T) with the idea of putting out a collection, but every time I look at that first tale I cringe. Only in the follow-up tales did I begin developing a proper mythos for the character.

AYS—How did you balance your personal writing with the demands of publishing Space and Time magazine for so many years?

Gordon Linzner—Not very well, although the real villain was having to make a living by the late 80s/early 90s. Possibly if I’d abandoned the magazine I’d have written more, but I found the editing process helped satisfy the writing urge to an extent; knowing I was involved in something would actually see print because I was publishing it myself. I actually was prepared to retire the magazine about that time when I was approached by someone offering to fund it; the additional money allowed me to give the magazine a more professional appearance, and although that connection only lasted a few years, I was hooked again.

AYS—How did your writing schedule change after you retired from the magazine?

Gordon Linzner—It’s taken longer than I’d hoped, but I’ve gradually been producing more short stories over the past few years, and more importantly keeping better track of their status, though I still have mix of better-paying  work, both related (copyediting) and unrelated (tour guiding, sound work, etc.) that satisfy some of my creative urges.

AYS—You began the magazine with a few buddies in high school and a mimeograph machine. Can you tell me what made you decide to launch a magazine in high school?

First issue in 1966

Gordon Linzner—Who knows why teenagers do what they do? Looking back, we were all outliers to some degree; it gave us something to do in place of ‘normal’ activities such as dating. I bought the mimeo for some ridiculously low price, maybe $20, so had to do something with it.

Originally the plan was to put out a comic book (a couple of the friends were artists), but while figuring out how to draw on stencils (I realize this sounds like alien technology to most of your readers) I decided it was easier to type on them.

Don’t think I had any idea of it becoming a regular thing, let alone lasting 50+ years, even though I numbered it and actually copyrighted the issue as well. The others dropped out after a few years, but by that time I was hooked.

AYS—Many great names showed up in the pages of S&T early in their careers. Who were some of the more memorable writers you published?

Gordon Linzner—There should be a list of everything we’ve published somewhere – George Morgan is our unofficial archivist, at this point the only person I know who has every issue, and I don’t think even he has put together a bibliography. I’ll inevitably forget so many contributors (I’ve been approached at cons by people who had to remind me I published their first story, and once by someone who thanked me for all the rejections!).

Putting aside the handful of writers who generously contributed after already having established themselves, I’ll toss out a few names in no particular order: Charles de Lint, A. K. Morlan, Kevin J. Anderson, Jessica Amanda Salmonson, Bentley Little, Charles Saunders, Darrell Schweitzer, Josepha Sherman, Robert Weinberg, Ardath Mayhar, Lois Tilton, Chet Gottfriend, Scott Edelman, Jeffrey Ford…

AYS—What are you up to now, and more important, where can fans find you and your books?

Gordon Linzner—I assume you’re asking in terms of my writing, no? I’ve been working on more short stories again, as well as digging out some older unsold tales to see if they’re worth a rewrite/update. I’m getting invited to anthologies again, so I try to give those requests priority.

Over the past year I’ve had stories in such anthologies as Corporate Cthulhu; Baker Street Irregulars II; and Release the Virgins! with another coming up in The Mountains of Madness Revealed.

My next big project (which I keep putting off) will be digging out the manuscripts of some quarter-century old unsold novels buried in my storage space (some of them exist only as typewritten carbon copies!), to give them a once-over and find them homes. In the meantime, both The Troupe and The Oni are available from Crossroads Press, and they will be adding The Spy Who Drank Blood shortly (I still have some 80 copies of that one for sale myself).

You can find Gordon Linzner’s books available on Crossroad Press here.

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The Sirens Call eZine #43—FREE READS

I’m excited to have four pieces of fiction published in The Sirens Call eZine #43. This issue celebrates the tenth Women in Horror Month, so it’s an all woman issue. Always free to read, there are 204 pieces of lit inside. That’s a lot of poetry, flash and fiction for FREE!

Besides my four pieces, some of the best names in feminine horror are included—Nina D’ArcangelaErin Lydia PrimeNaching T. KassaAshley Davis, Mary Genevieve Fortier, A.F. StewartErin Sweet-Al MehairiTracie McbrideStephanie AyersMelissa R. MendelsonSheri WhiteLoren Rhoads, Sonora Taylor, E.A. Black, Tawny KipphornMercedes Murdock Yardley…  out of 204 pieces of work I know I’ve missed someone. Best way to find out is go have a read yourself. Did I mention it’s free?

Visit Siren’s Call Publications to download this issue,
or download the issue here.

Many thanks to the Sirens Call staff of Nina D’Arcangela, Erin Lydia Prime, Gloria Bobrowicz, and Lee A. Forman for their hard work bringing this publication to life every month. Calls for submissions open up soon—I’ll be sharing that call here as soon as I see it.

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