While I travel, we have another interview today from my friend, Soraya Murillo Hernandez, from Spain. Soraya speaks Spanish, and I only speak English, so our friendship has leaned heavily on technology and Google Translate.
Soraya has so many, incredible interviews, I’ve created a category for her work. You can find all Soraya’s interviews at From Soraya. Today, she shares her interview with Steve Niles.
He is credited among other contemporary writers as bringing horror comics back to prominence, authoring such works as 30 Days of Night, its sequel, Dark Days (IDW Publishing), and Criminal Macabre (Dark Horse Comics) with frequent artist collaborator Ben Templesmith.
Soraya—Because of your birthplace, do you have any creative, didactic, moral or personal influence, taken from the streets and suburbs of New Jersey, as well as its urban artists, or from your friends?
Steve Niles—I was born in New Jersey but left at a young age. I wound up spending most of my childhood and teenage years in Washington DC which had a major effect on me. I was part of the local music scene in DC which had a very DIY attitude and I think a lot of that rubbed off on me. In the scene we put out our own records, booked our own shows and tours and pretty much did everything ourselves without relying on the big corporate music companies.
What is your personal opinion about the big publishing houses or industrial companies inside of the writing and comic world, and what took you to undertake the adventure of creating your own publishing company, Arcane Comic?
Steve Niles—Because of the DIY music scene I was a part of when I decided I wanted to write and publish comics I did it myself. I formed Arcane at a young age but realized very quickly my strength was not in business. From that point on I became just a writer and have been at it ever since.
Steve Niles—It was a very exciting and positive experience. The producers and director kept me in the loop throughout the process that took nearly seven years. In the end I was very happy with the film so all around it was a great experience.
Are you working on any project unknown at present?
Steve Niles—I have several projects I’m working on at the moment but nothing I can really talk about yet. My main focus has been on October Faction which is a monthly title I do with Damien Worm.
Regarding the last question, have you ever thought, for example, writing a steampunk horror novel?
Steve Niles—Not really.
Steve Niles—You have to love what you do. If you don’t love it you are in for a lot of disappointment. Being a writer is very tough and even harder to sustain so be sure that you love what you are doing and that will go a long way.
Steve Niles—Mostly reading inspired writing but I’ll also watch films to trigger creativity. The only ritual I have is sitting at my desk first thing every morning and waking up as I try to think of things to write.
Steve Niles—I was actually scared of horror as a young child and then around the fourth grade I fell in love with everything that scared me.
Steve Niles—Working with Damien has been fantastic. I think we’ve been working together for three years now and it’s been a pleasure. He’s got a great attitude and he is very, very talented.
Steve Niles—Mostly I have memories of setting things on fire and covering my friends with blood. It was a fun way to try and tell stories but in the end I found writing to be a much more satisfying and less messy way.
Steve Niles—Richard Matheson is one of my biggest influences. From I am Legend to his Twilight Zone episodes he was always fresh and original.
It is said that you are a very good reader. Can you learn to write by reading?
Steve Niles—I think it’s very important to read as a writer. Reading makes you a better writer.
It is obvious that you enjoy your work with a passion. Is that also the key for your success?
Steve Niles—I think it is. I really love what I do and I look forward to everything I write and I love collaborating with artists.
From Soraya Murillo Hernandez: I am an early reader, I started reading very soon and I was interested in terror, I liked to look for monsters and ghosts in the stories. Then I knew that the greatest terror came from humans. I am a book reviewer in Spain, I do it free to help its authors to know their works.
Soy una lectora precoz, comencé muy pronto a leer y me interese por el terror, me gustaba buscar monstruos y fantasmas en las historias. Luego supe que el mayor terror venia de los humanos . Soy reseñadora de libros en España, lo hago gratis para ayudar a sus autores a conocer sus obras.